"'I would do more than for my own. But to appear happy when I am so miserable--Oh! who can require it?"
Again they were both silent. Elinor was employed in walking thoughtfully from the fire to the window, from the window to the fire, without knowing that she received warmth from one, or discerning objects through the other; and Marianne, seated at the foot of the bed, with her
head leaning against one of its posts, again took up Willoughby's letter, and,
after shuddering over every sentence, exclaimed--
"It is too much! Oh, Willoughby, Willoughby, could this be yours! Cruel, cruel--nothing can acquit you. Elinor, nothing can. Whatever he might have heard against me-- ought he not
to have suspended his belief? ought he not to have told me of it, to have given
me the power of clearing myself? 'The lock of hair, (repeating it from the
letter,) which you so obligingly bestowed on me'--That is unpardonable.
Willoughby, where was your heart when you wrote those words? Oh, barbarously
insolent!--Elinor, can he be justified?'"
--Sense and Sensibility, Jane Austen
In both the passage above, and in the poem XX, the story portrayed is one of the end of a romance. In
Sense and Sensibility, Marianne is deeply in love with Willoughby but then is heartbroken when he chooses Ms. Gray over her. In XX, the speaker is lamenting over his lost love, and trying to overcome his despair. Austen uses Marianne's conversations with Elinor, and her exaggerated emotions to show the unhappiness. Marianne is completley confused, she has to ask Elinor if there is any way that Willoughby is correct, similar to how the speaker of XX is confused about his love. He says, "I no longer love her, that's certain, but how I loved her.", this shows that the speaker is confused and muddled about what he is feeling, and what is correct. In XX, the heartbreak and repair is shown through the references to nature and the repetition of the words heart, and love. In both pieces of literature, the misfortune is shown through the imagery created. The imagery in Austen's piece creates juxtaposition between Marianne's emotions, and the peaceful glow of the room. In XX, the imagery compares the speaker's emotions with the beauty of nature. Both of these comparisons are used to show how wretched the character feels, and the misfortune associated with love.